For those with GFX, if it’s an older model, I think the X-Trans IV version is likely most compatible, and for newer models, this version is likely most compatible however, I have not tested either version on any GFX model to know for sure. For those with an X-T3 or X-T30, unfortunately Fujifilm never gave your camera the Classic Negative film simulation, so you cannot use Pacific Blues. If you have an X-Pro3, X100V, X-T4, X-S10, X-E4, or X-T30 II, you’ll want to use the original Pacific Blues Film Simulation Recipe.
Misty Saguaro – Buckeye, AZ – Fujifilm X-T5 – “Pacific Blues” For Pacific Blues, setting it to Weak instead of Strong makes it compatible with X-Trans V. If it calls for Color Chrome FX Blue Off, well, you just have to know it will render differently on X-Trans V and there’s nothing you can do about it. For X-Trans IV recipes that use Classic Negative, Classic Chrome, Eterna, or Eterna Bleach Bypass and calls for Color Chrome FX Blue Strong, you’ll need to adjust it to Weak on X-Trans V if it calls for Color Chrome FX Blue Weak, you need to adjust it to Off. Pacific Blues was made for X-Trans IV cameras, and I discovered that a slight tweak is needed for X-Trans V models, because the new sensor renders blues just a little deeper on some film simulations. Try this recipe for many different light scenarios and different subjects-you’re bound to love it! I’ve even seen some really interesting night photographs with it. Foggy mornings? Yes! Dreary overcast? Yep! Desert landscapes? Sure! Garden flowers? Autumn leaves? Dramatic portraits? Absolutely.
While it is intended for a summer day at the beach, the recipe works great for many different subjects and situations. The aesthetic is intended to emulate Lucy Laucht‘s Spirit of Summer series, particularly the Positano Bluesphotographs. I published the Pacific Blues Film Simulation Recipe just four months ago, and it has already become one of the most popular on Fuji X Weekly. Up or Down – Buckeye, AZ – Fujifilm X-T5 – “Pacific Blues”
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